This skirt was made last summer when I felt in the mood for something long and swishy; inspired by a skirt I had seen in a parade at Ricarda. I can't remember who the designer was. This polyester chiffon was on super special at Fabulous Fabrics and I bought the rest of the roll, about 3m. This skirt used every last cm! My starting point was Butterick 3134, a great basic pattern to have as it contains a pattern for each of two, three and four gore A-line skirts. I used the three gore version, without the waistband. Customising proceeded as follows: each piece was lengthened and tapered down the left side to a "shark-tooth"point. To the bottom of each piece was added a huge gathered part-doughnut shaped piece of fabric, skewed with a thicker doughnut width to the high side, narrowing to a lesser width on the low side, to create the ruffled swirly hemline. The gores were then pieced together. A silver bemsilk lining was cut using my old standby Vogue 7303, and the edge of the skirt was finished with a fine handkerchief hem.
I wore this a lot; it felt so elegant and feminine to wear as it flutters and kicks out with each step. I tried to show this in the picture by getting an action shot as you can't capture the breezy beauty of it when its just hanging flat.
Although grey is never my first choice when it comes to choosing colours for my wardrobe, and I really bought this fabric because it was a bargain, it proved to be right on trend as Australia had a love affair with grey that lasted all last summer. Grey, grey, grey, or alternatively charcoal, stone, cement or putty (these colour descriptions from a friend that works in a very trendy boutique!)
Why does a country so saturated with sunlight choose the drabbest of colours to garb itself?
Camisole and cardigan; Country Road